Sunday, November 3, 2019

Pounded Flower Textiles

What better time than a trip to a friend's house in London to experiment with eco-dyeing with pounded flowers? I have tried this technique before, oblivious to lessons learned by those who have gone before, and the results were a miserable failure. That earlier experiment involved white T-shirts, lots of flowers, and vigorous pounding with rocks on a concrete surface. The result? Colorful torn T-shirts with ragged, gaping holes. They would have looked sort of punk except for all of the florals.

This time around I tapped into the expertise of a master. Check out Samorn at, who will brilliantly guide you through the basics. Key tips include wooden mallets and cardboard-covered surfaces. The results below are stage one in ongoing experimentation with use of these eco-textile florals as base materials for future creations.

In between visits to museums, galleries, and button vendors, I leisurely collected likely-looking flowers and leaves on lovely walks through the October rains.

Foraged flowers

The yard of 100% cotton I had brought with me was pre-died with what resulted in very faint, base colors using both regular Twining tea and a blend of Indian teas which included saffron, turmeric, and other spices. Here is the cloth drying above the Aga stove.

Drying cloth above the Aga

And below are the gorgeous results of the flower-pounding process. I left half of my creations with my host, who loaned me her solarium as an art studio during the stay. The other half are about to become something wondrous. 
Stay tuned.

Click to enlarge

What flowers and leaves work? A large part of the fun is experimentation, and it would have been nice to have been scientifically methodical and keep track, but I didn't. You can see some gorgeous pansies above, and I vaguely remember begonias and fuchsias working well, but I had no idea what most of the flowers were to begin with.

Click to enlarge

Click to enlarge

Click to enlarge

Click to enlarge

Click to enlarge

Click to enlarge

Click to enlarge

Click to enlarge

Click to enlarge

Tuesday, October 29, 2019

Postcards from the Edge 2020

Click to enlarge

A friend in Manhattan alerted me to the "Postcards from the Edge 2020" benefit sale run by Visual AIDS, coming up on January 3-5. This is the 22nd year of this unique benefit show and sale of original, postcard-size artworks by established and emerging artists. All artwork is exhibited anonymously and the identity of the artist is revealed only after the work is purchased. Proceeds benefit Visual AIDS programs.

This is my entry, ready for shipping. The deadline is November 25, 2019, so consider creating and submitting a contribution of your own for a very good cause. The Web site again: Visual AIDS.

Click to enlarge

Sunday, September 22, 2019

Immortality and Family Heirlooms: The Book of Secrets

Cover: ecoprint with cabbage and eucalyptus

I have a long-held belief that you continue to exist as long as someone living still remembers you. My great-grandmother, born right after the Civil War and a huge influence on my life up to the age of sixteen, still lives vividly on in my memory. My best shot for this kind of immortality lies with my two grandnieces, whom I have been doing my utmost to impress in an artsy, maker kind of way for the past eleven years. It occurred to me that I don't have all that much longer to sum it all up, try to pass on what I have learned over the course of a lifetime through trial and error, and hopefully save them from the same mistakes I made. And here you have it — an instant family heirloom.

Inside cover and first page

Materials used are cotton and silk and a lot of eco-dyeing and ecoprinting

Second round of dyeing for ecoprint bundles

Once the cloth was dyed, each sheet of fabric was folded to form two pages, front and back. A page of poster board was inserted between the pages, and all paired-page edges are hand-finished. I figure that years from now, even if the people who stumble across the book have absolutely no idea who I am, they will take one look at all of that maniacal stitching and feel there is just too much work in this piece to casually throw it out. Which leads us to the second immortality strategy — heirlooms. Even after all who remember you are themselves dead and gone, the heirloom may live on. So here you have it: The Book of Secrets.

Inside cover: cotton dyed with cabbage and eucalyptus

The book is a joint gift for the two girls and their grandmother (my sister). She is in the habit of reading aloud to them and then engaging the girls in animated discussion. The idea here is that The Book of Secrets works a little like the I Ching: You randomly flip to a page, read it aloud, and then all present discuss what it means and the relation to their current lives. As with the I Ching, as your life changes the meaning you draw from the text also changes, so the book itself has a kind of built-in immortality. These are the lessons I wish someone had taught me when I was a child. Now, at age 71, I am still trying to master these strategies, sometimes succeeding, often falling short, and continuing to learn.

Page one: silk dyed with rose leaves, smoke bush flowers

Page two: silk dyed with maple leaves, rose leaves, smoke bush flower

Page three: silk dyed with rose and eucalyptus leaves

Page four: silk dyed with rose and eucalyptus leaves

Page five: silk dyed with maple and rose leaves

Page six: silk dyed with smoke bush flowers and rose leaves

A pause here to acknowledge that yes, there is a mistake in the printing on this page. Instead of dismay, my reaction was delight; mistakes are perfectly in accord with the secrets in this book. Regarding the printing itself, I used a vintage children's printing set with individual stamps for each letter and a pad of archival ink.

Page 7: silk dyed with tea

Page eight: silk dyed with tea

Page nine: cotton dyed with cabbage and maple leaves

Back cover: cotton dyed with cabbage and maple leaves; patchwork with sashiko stitching

Why not add a little mystery to the heirloom? When the girls were born I decided I wanted them to call me Tante Minna, which offers a tiny bit of extended immortality to two people from the past whom the girls never met. My great-grandmother was part of a group of friends from early childhood in Germany who called themselves "the jolly ten."  We called each of them by the honorific "tante" (aunt). As a child, the name Tante Minna, one of the ten, always struck me as very funny. A hundred years from now no one will have any idea who Tante Minna was, but through this book I, my great-grandmother, and the original Tante Minna live on. Until, of course, climate change makes the entire human species a vague memory.

Thursday, September 19, 2019

Curate Your Neighborhood: Eulogy to a Rat

Noticing things in the neighborhood
Look around, pay attention, notice things - all the time, everywhere. One of my high school teachers believed so fervently in this maxim that she had all of her students carry little notebooks that she dubbed “Observation Towers,” and made us jot down at least one new thing we noticed in our surroundings every day. She also regularly sprung pop quizzes when we entered her classroom, asking us to identify the latest addition to the crammed, layered posters, pictures and quotes on the classroom walls. Thank you, Miss O’Conner, for a lifetime of acute noticing - all of the time, everywhere.

So...I noticed this dead rat right next to a bus stop I use frequently. It is on a small lawn atop a retaining wall at about chest height. As days passed the rat began to rot and delicate spider webs began to slowly enshrouds the corpse. Initially repulsed, I began to enjoy checking on the progress of the rat’s decay. It occurred to me that, thanks to Miss O’Conner, I might be the only one to be enjoying this dust-to-dust play.

I decided to make this part of my Curate Your Neighborhood series, but felt I needed a curatorial strategy that would help viewers to get over the initial, “...ugh, gross!” reaction to a rat corpse, and enable them to open their perception to the fascination and potential beauty in this eloquent spectacle of the cycle of life. The solution? Poetry! I composed this signage while waiting for the #29 bus.

And... the Hanover and Lakeshore 29 bus stop mini-museum is now open for business.

Monday, July 29, 2019

All the Rage: Snowflake Shirt

The snowflake shirt - front view

This hand-stitched, heavily embroidered shirt is the latest in the "All the Rage" series of political protest couture, accessories, and tchotchkes. It is also a move to take back the language and make words like "liberal" and "snowflake" accolades instead of insults.

Close-up of front

Yes folks, I am a snowflake. To me, that means having compassion for my fellow man — for women and children kept in cages at the border, for the six-year-old gunned down at the Gilroy Garlic Festival, for the homeless living under freeway overpasses, for all of the noncombatants we have killed and wounded in the many, many wars we continue to wage. Yep, I have feelings, and I consider it a source of pride that I have retained my humanity as the US and the world at large careens down a very dark road.

Thus, the snowflake shirt.

Shirt back

Snowflake 1

Snowflake 2

Snowflake 3

Snowflake 4

Snowflake 5

This would be a good time to let your heart melt a little.

Wednesday, July 10, 2019

Making Friends with Crows: the Paper Bag Tapestry

For the past year or so I have been attempting to make friends with the crows in my neighborhood, based on the idea that if I leave them peanuts they will in turn leave me an assortment of bright, shiny stuff they have found or stolen.  I have big plans for that bright, shiny stuff, including assemblage and jewelry making, but so far the crows haven't brought me a damn thing. 

To while away the time while I wait, I stitched this paper bag tapestry called (unsurprisingly) "Making Friends with Crows."

I have grown very fond of crumpling, washing, and stitching used paper bags, with an occasional tea bag paper or candy wrapper thrown in. The texture of the paper bags is wonderful. For this piece I have left all threads emerging from the front of the piece, unfinished and unknotted. I think the flyaway pieces of random thread somehow capture the feel and movement of the crows' feathers.

The Tapestry
Note the peanut finials at either end of the rod used to hang the tapestry.

Peanut finials at either end of rod.

And now...

I continue to await the generosity of the crows.

Friday, July 5, 2019

Power Cuffs: Warding Off Monsters

An elegant solution to all of life's ugly problems

I have been making one-of-a-kind wrist cuffs for a while now, and have dubbed them "Power Cuffs." Follow the link if you want to see the back story and basic how-to tips.

This latest pair of cuffs are particularly special because of an added power: the ability to ward off monsters. If I think I'm going to have a particularly difficult day, I just arm myself with a pair and I am ready for the worst. Both sets of cuffs are made of red vinyl. 

Little Monsters

This first pair is embellished with hand-embroidered little monsters (and victims). The monsters were drawn by my two favorite little girls, then copied onto the vinyl using tracing paper, then stitched. The buttons used for the closures are antique European carved coral rimmed in silver.

The lining for these cuffs was made from scraps of fabric from Guatemala.

And here we have one on:

The second set of cuffs utilize the spiral as a snare for evil spirits, familiar as a classic spirit trap in a range of different cultures.

Spiral spirit-snare cuffs

These cuffs are lined with scraps from a man's recycled shirt, and employ vintage buttons from Paris.

Related Posts with Thumbnails