Fading Memories: Anthotype Prints

 

Ephemeral print of fairy harvesting dandelions

Everything in our human nature fights the idea of loss. We don't like things that fade, that disappear, that are lost to time. And yet, what freedom there is in letting go. There is no better way to practice the embrace of the ephemeral than making anthotype prints. This is a method of image-making that predates photography and is entirely organic, but anthotypes are designed to disappear. Left out in the sun, they will entirely fade away, and I think there is something wonderfully magical about that.

These anthotypes use a formula involving ground turmeric, rubbing alcohol, baking soda, and water.

The Formula

Mix a ratio of one teaspoon ground turmeric in a glass or plastic cup with 4 to 6 teaspoons of rubbing alcohol. Stir thoroughly, then filter out undissolved turmeric grains using coffee filter or cotton cloth into another container.

Turmeric-alcohol solution

Paint this turmeric solution onto a sturdy piece of paper using a brush, covering the entire surface. Note turmeric really stains everything in sight, so put a drop cloth or paper towels under your paper. The result will be bright yellow. Immediately store the paper flat away from sunlight until it is entirely dry.

Covering surface with turmeric

The Collage Method

Collect elements you want to assemble into a print. Here I've collected various weeds and grasses from a walk along Lake Merritt. I have also cut out a couple of vintage images of ladies dancing around that I collected and printed from the internet.

Collecting elements for the prints

Place your dry sheet of turmeric paper on a piece of cardboard. Arrange your objects on top of the turmeric paper, and top with a piece of glass. If you have a bunch of frames not currently being used, the glass and backing from these are ideal. You will want to prep all of this and make everything a lot easier by making sure that your backing, turmeric paper, and glass are all the same size at this point. The final step is to clamp it all firmly together.

A clamped anthotype in progress

Another clamped piece

Place your clamped pieces in direct sunlight and leave in place until all of the visible yellow turmeric turns very, very pale. Hopefully you live in a sunny climate. My first stab at this was in Northern California during a season known as "June Gloom," with fog and dim sun. Your print may be ready in a matter of hours. Mine took about five days to fade sufficiently.

The final stage involves developing the anthotype. Create a mixture with a ratio of four teaspoons of baking soda to a cup of warm water and stir thoroughly. You will want this amount of developing fluid for each print. Disassemble your clamped piece and remove all of the collaged pieces. Holding the print over a sink, douse the entire surface of the print with the baking soda solution. At this point your print will really pop, turning from pale yellow to a brown-amber color. You may rinse the surface of the print briefly with water to remove the baking soda solution. Immediately store flat in a dark closet to dry.

Here are the sample anthotypes from my first pass at this.

 

The dandelion print

Flying among grass seeds

Pagan Revelry

And yes, these will fade over time when they are exposed to sunlight. I created a series of cards, tucking a print inside each one, and sent them off to artist friends I knew would be intrigued by this technique. I am curious whether the recipients will react by storing them away, out of the sunlight, or if they embrace the fleeting beauty of this art form, prop the print on a shelf, enjoy it while it lasts, and watch it disappear over time. 

One aspect that surprised me with this collage method is that the printed figures I used transferred so much detail. I realized that the details in the original printout are captured because the black areas of the print remain opaque while white or light areas let more sunlight through. The third print above was a black silhouette, and created a silhouette figure with no details.

The Transparency Film Method

Out of curiosity I experimented with an alternate method, printing a few photos onto acetate film (available online; I used WeLiu Transparency film for Inket Printers). What you get is a photo image on the transparent sheet. Instead of using paper and plants, I followed the formula outlined above using a sheet of plastic with a photo image.

Photo of me taken by a Chinese composer

Craft session with the grandnieces

The prints were developed using the baking soda method outlined above.

With the film method, I believe the final prints would benefit from a little more photo manipulation before printing the image out onto the transparency paper.  Fiddling with contrast, increasing and sharpening both light and dark areas might heighten results. But again, these are designed to be fleeting and fade with time, much like our memories.

Experimentation at this end will continue. You are encouraged to launch into some of your own at your end.

Slow Assemblage

 

The Medic

Slow assemblage occurs almost spontaneously, when objects come together across time and space. It is more intuitive than intentional.

Close-up, The Medic

This first piece was sparked by an encounter with a vendor selling vintage lead toy soldiers on Portobello Road in London. The valiant little army medic (94th Infantry Position, US Army, 1945) was so compelling that he was mine from the first moment. Is that a look of valor or despair in his eyes, or the "long stare" of a combat soldier who has simply seen too much of the horrors of war? Once back in California, not a second's thought went into pairing him with an antique miner's lantern, designed to hold a candle and be looped over a belt strap and found in a bin of junk over thirty years ago at the Alameda Flea Market,  The addition of candles - to illuminate the trenches, to light the way, to provide a focus for ritual, magic, and prayer was obvious. This slow assemblage had found itself.

The second slow assemblage also came together through time and space in spontaneous reaction to another object gifted to me in London — a foot carved out of volcanic rock from Hawaii. 

The Foot

The objects drawn to the foot and forming a perfect fit include a huge rusted nail picked up on a wander along the railroad tracks circa 1990, and a twisted, curved swirl of honeysuckle root picked up during a hike with Brother Shimo, a found wood and stone artist in Japan, back in 1970. The perfect housing emerged from a stack of assorted vintage drawers found here and there, over a span of decades.

Close-up

Nail and honeysuckle root

If the process of slow-assemblage is indeed non-intentional, one might wonder if there is any way to encourage or stimulate this spontaneous happening. Why yes, yes there is.  Curiosity, awareness, and mindless collecting are key ingredients. That scrap of rust on the ground is so lovely, why not pick it up? The broken figurine needn't go into the bin; who knows what it might give birth to a few decades from now? The answer, in short, is junk. 

Junk!

Lots and lots of junk. Every once in a while, bring some of it out, spread it around, and play with it. If nothing happens, store it away again with no harm and no foul. You simply had a pleasant interlude playing. This will also help you develop a comprehensive understanding of and relationship to your junk, so when and if a new object enters the picture you sense immediately which objects in your universe of junk are longing to be paired with it.

Lots and lots of junk!*

* Full disclosure: The photos above show a very, very small fraction of my vast junk collection.

The Baby Boomer Manifesto

 From each according to his abilities. I was going to wait until the general protests for the fascist military parade on June 14, but democracy is falling faster than I would have believed possible. This is the best I can come up with at the moment. Share it around, download it, print it out, post flyers. 

Cover

Back

Inside mini-poster

If you would like to print out and pass around a bunch of these, a free downloadable pdf is available here: The Boomer Manifesto download.

Basic Thrift Store Shirt Butchering

 

The end product - a perfect shirt filet!

This time around the focus is on basic thrift store shirt butchery. The shirts in question are those endless racks of classic man-tailored shirts ideally suited for boring nine to five office jobs, found by the armload at any thrift store. They can generally be had for anywhere from $3 to $5 depending on the thrift store. That means you are getting lots and lots of lovely cotton fabric (check labels and avoid synthetics) far more cheaply than you'd pay at a fabric store, and you are keeping all of those shirts in circulation and out of the landfill.

To create a jigsaw pieced creation like the one above, pick at least three shirts in complementary hues, or in contrasting colors that appeal to you. Butchering a man's shirt involves removing all useable expanses of fabric and gutting and tossing the reinforced seams. You may want to save collars and cuffs for other projects (see Power Cuffs for another fun and fashionable project). Stream something online, grab your scissors, and make an evening of it!

Shirt butchering diagram

Keep the front button and button hole plackets intact – they can contribute interesting and unexpected details to your final creation. What you end up with after an enjoyable evening of shirt butchering is a lovely array of useable fabric. At that point, let the creative fun begin. 

The salvaged fabric

Try piecing the fabric together in a variety of different ways. The end product in this case is a short-sleeved shirt formed from a rectangle, which gives you lots of leeway to mess around.

Let the piecing begin!

One priority for me has always been pockets, and I found a number of ways to incorporate them into this new creation from the butchered parts. The top center pocket is actually a meta-pocket, incorporating the breast pocket that was on one of the original shirts, which is itself simply the exterior of another, larger pocket formed from a panel that includes a portion of the buttoned front placket of the original shirt. A button placket was used again for the lower right pocket.

Pockets, count 'em!

There is no limit to your creativity when it comes to shirt butchery. 

Shirt back

And finally, here is the shirt in action. . . shown on me in a spaced out moment in my living room.

Moi

A Space-Time Portal for Stones

The portal

There are those among us with a love of stones, rocks and pebbles. We pick them up, put them in our pocket and take them home. There is no objective rhyme or reason for our selections, this obsession is highly subjective. We simply love stones and need to collect the ones that capture our fancy.

Part of my personal stone collection

For my initial theories on collecting rocks and the virtue of helping the stones move around the planet, see an earlier post, For the Love of Stones.

Now I have stumbled upon an even more effective and artful method for transporting rocks and giving them an extaordiary, once-in-a-millenium experience: a space-time portal for stones. The portal is a hollow  papiér-mâche bird, crafted from the pages of one of my old travel notebooks and scraps of gold joss paper.

The portal when closed

A small door on the chest of the bird features a small gold-bead handle. To operate the portal, open the door, place a stone inside, and let it rest inside the portal until it is ready for transit. The next time you go for a walk (preferably a meandering, pointless walk), remove the stone from the portal, take it with you, and leave it somewhere along your way. Select another rock from the landscape, employing the critical aesthetic judgement that makes sense only to you, and return home. Place the new rock in the portal to await its transit adventure.

The portal in operation

This may seem like a trivial, meaningless activity, but consider the implications. For the stone, which may remain in the same place with very little happening for centuries, this is a universe-changing, mind-blowing experience. Its reality has utterly changed. At the same time, though your part in this process may seem minor and irrelevant, you are in fact in the process of incrementally terraforming the planet.

While there are no plans at this end to start manufacturing space-time portals you are, as always, encouraged to create one of your own. Your stones will thank you for it.

Mourning in America

Click here for free, downloadable Mourning in America flyer. 

It is difficult to know how to respond to current events in America. As a child in the 1950s I was obsessed with the question of how the Germans - the nice, neighborhood, non-combatant, civilized, friendly Germans - could have let the Holocaust happen without doing anything to stop it. And now I find myself in the same situation, facing the same question. I am 77 years old, my lungs are too weak to allow me to participate in protest marches. So what does one do? One does what one can. Thus this participatory theater piece, which anyone from a toddler to an octogenarian ought to be able to pull off.

Wear black. That's it.

This idea was inspired by a friend, Pam O'Connell, who came up with the phrase, "mourning in America."

And we are in mourning — for the loss of our universities, our civil rights, our best and brightest immigrants, our constitution, our rule of law, our basic human decency.

Trump, among other misdeeds, is dismantling library and museum services, squelching any exhibits dealing with diversity or human rights, and demanding that cultural institutions in America focus on the anniversary of the founding of America on July 4, 2026. The celebration of America's 250th anniversary under the Trump regime looks likely to rival Hitler's most rabid, goose-stepping celebration of humanity at its absolute worst. What can one do?

Wear black. That's it.

Originally this piece was going to focus on wearing black on the dates of all key U.S. historical markers leading up to the grand debacle in 2026. The kickoff date, as shown above, is Paul Revere's ride on April 19. Other proposed dates included ratification of the Bill of Rights, the Emancipation Proclomation, the Civil Rights Act, the 19th Amendment, and so on. In the brief few weeks I've been working on this I've adapted the original idea to simply wearing black whenever the occasion warrants.

Wear black. That's it.

This is a nationwide, participatory theater piece. A clear signal to the rest of the world that not only are we against everything Trump is doing, we are deeply grieved about the state of our nation. We are in mourning.

Click here for generic Mourning in America flyer.

Note the addition of the idea of wearing an armband. This is potentially even more effective than simply wearing black, because mourning armbands have become an anachronism. They are an oddity in current times, and more likely to provoke questions and comments. Happily, they are available very cheaply and in bulk from your favorite online shopping sites.

Mourning armbands

My plan, when not wearing black, is to wear an armband and keep several spares with me to give away to others. So what can one do?

Wear black, that's it.

Jumpin' Trump: Pull the String and Watch Him Go!

 

Jumpin' Trump: who's pulling the strings?

This contemporary take on a diverting little Victorian pull-toy highlights the current president's white supremacist leanings and points to one of the key oligarchs pulling his strings. Take time out from the depressing prospect of the loss of democracy and our entry into a new dark ages complete anti-science, book burning, and oppression of women and minorities to make this entertaining jumping jack. Feel free to give out the pdf worksheet at marches and protests, and to hang the toy from tree limbs, lamp posts, and Tesla rearview mirrors.

A man who is easily manipulated

The pdf worksheet below is free, comes complete with instructions, and is downloadable. Click here to download.

Here is a preview of your worksheet:

Grab your scissors and give it a go.